Tak kenal maka tak sayang

“Tak kenal maka tak sayang.” “If you do not know, then you do not love.”

I learned this commonly shared Indonesian saying on the first day of Music History III, in answer to my question, “Why should we study music history?” It’s a great answer for any academic course. Why should we study xyz? Tak kenal maka tak sayang. If you do not know, you do not love.

This also points to a wonderful cycle of knowing and loving. My students are in Music History III because they love music. They have chosen music as their college major and are dedicating five years of their life to the academic study of it at SAAT. (Side note: the Indonesian academic system is different than that in the U.S., and a bachelor’s degree is typically five years and includes the writing of a major thesis. SAAT students write a 100-120 page bachelor’s thesis and also complete a one-year internship.) So their love of music has led them to know it more. And their knowledge leads to greater love, which leads to greater knowledge, and so on and so on and so on.

As a professor, I always hope this is true for my students, that their learning leads to a deeper love. Love for the subject, certainly. And also love for learning that will lead them to know and love and know and love other subjects, as well.

But these loves are not enough. I also want my students to grow in love for the neighbors with whom they share a classroom. And I want them to grow in love for their neighbors beyond this classroom: across campus, across Palos Heights, across Chicago, across the world. Tak kenal maka tak sayang. If you do not know, then you do not love.

And this, in fact, is the primary meaning of this saying in Indonesia. My friend and colleague Yudha Thianto explains: “The cultural meaning behind the saying is about hospitality. It is the Indonesian way of saying that we shouldn’t judge. Instead, we must spend time to get to know a person well, and then we will love that person.” Tak kenal maka tak sayang.

How could it change our perspectives if we said to ourselves, “Tak kenal maka tak sayang,” about each person we encounter each day, from those we know best to those we don’t know at all yet, in person or through various media? Could we even extend it to people we don’t know—in our neighborhood, in our country, across the world?

  • Could we replace judging with loving?
  • Could we replace pride with humility?
  • Could we make hospitality our normal impulse rather than self-defense?
  • Could we make listening well more important than being right?
  • Could we place the interests of others before our own interests?
  • Could we practice that perfect love that casts out fear?

I think it’s worth a try. Tak kenal maka tak sayang. Or, to say it another way: Love your neighbor.

Blog 3, day 1
Blog 3, pic 2

Receiving the Gifts of a New Semester

First day of school
First day of school

Each semester, I am grateful (while at the same time slightly terrified) for new beginnings: for a particular set of courses, a unique gathering of students, and interesting subject matter, whether new to me or long encountered. And while I understand well how the process works, I am also always rather amazed by the first day of class and the gradual filling of the classroom with the individual students with whom I will share a course. Simply put, each course is a gift.

Joining SAAT for this semester, the nature of my courses as gift is even more pronounced. The academic dean and music professors determined the course offerings and schedule, gifted me with a particular set of courses for my visiting semester, and advised the students who would join together in these courses. I simply received the gift of my course assignments, prepared for them as best I could, and entered into the new semester along with my students.

(A side note. I do not know if my students believe me or not, but I at times employ the language of gift for particular course assignments. I especially do so when I intentionally choose one piece of music for students to dwell with for an extended period of time. When teaching Baroque music history, I give each student their own church cantata by J. S. Bach to engage for most of the semester. This semester in Music History III, Nineteenth Century to the Present, each student will receive first a piece of Romantic music and then one from the twentieth century to encounter for half a semester. I offer these pieces as gifts and hope they are received as such.)

Briefly, here are the particular courses I have been given this semester.

Music History I: Medieval through Early Baroque. In Music History I, six second-year music students and I engage with music from Medieval chant to the seventeenth-century composer Heinrich Schütz. The course is very similar to one I have taught many times at Trinity, Music History I: Medieval and Renaissance, and the course materials are even the same (J. Peter Burkholder’s A History of Western Music and the Norton Anthology of Western Music). The course is challenging for students both because they are new to the academic study of music history and because the Medieval world and its music are so foreign to us.­­­ One gift for all of us early in the semester is teaching and learning how to chant the Psalms. My students this semester are chanting well already after just two class meetings, and are doing so in both English and Bahasa Indonesia!

Music History III: Nineteenth Century to the Present. Music History III likewise lines up with a music history course I have taught many times at Trinity, covering the same time period and likewise using the same course materials, the Burkholder and the Norton Anthology. This semester, I join eleven third- and fourth-year music majors in the course, and we are already working together to try to understand the contexts and music of the Romantic period. One of the gifts of this semester is SAAT’s cohort model, by which students in the music major take most of their courses with each other. That means these particular students know each other well, are comfortable with each other, and are used to learning together with each other. It is also a gift that they have graciously and enthusiastically welcomed me into that learning this semester.

Seminary Choir. In addition to my two music history courses, I am grateful to be directing two choirs at SAAT, while their regular director, Prof. Samuel Tandei, is on leave. The Seminary Choir is a large ensemble (about 80 singers), required for theology students for four years (!) and music students for three years. In this choir, I receive the gift of SAAT’s vision for educating ministers, theologians, and other workers for the Christian church, a vision that recognizes the vital importance of musical training for church workers. I am also grateful for the gift of the students in the choir and their enthusiasm for singing. Our repertory this semester includes Mark Hayes’s “Grace,” Gilbert Martin’s “When I Survey the Wondrous Cross,” Michael Costello’s “Praise to the Lord, the Almighty,” and Antonio Vivaldi’s “Gloria” (mvt. 1).

Vocatus Ensemble (Chamber Singers). The Vocatus Ensemble includes about 20 singers and is composed primarily of music students in their first three years at SAAT. And here the students and the nature of the ensemble are both gifts: the students read music well, sing well, and work diligently, and the fact that it is a small ensemble of trained musicians means that we can push ourselves to learn challenging repertory very well. The pieces for the semester include Philip Moyer’s arrangement of “I Want Jesus To Walk with me,” Alice Parker’s arrangement of “Wondrous Love,” Keith and Kristen Getty’s “Speak, O Lord,” Roy Hopp’s “Many Colors Paint the Rainbow,” and William Byrd’s “Praise Our Lord, All Ye Gentiles.”

The view from my office window--also a gift!
The view from my office window–also a gift!

So these are the gifts of my new semester at SAAT. I have taught for enough years to know that the idea of courses and students as gift is easier in week two than it is in week ten, but I hope this writing reminds me that my courses and my students are always gifts. It is my privilege and duty as a professor to receive and serve them well, with grace and excellence and joy.

Blog 2a
Blog 2b

Beginning Well

As I have moved with my family for this semester from Trinity Christian College in Palos Heights, Illinois, United States, to Southeast Asia Bible Seminary (Seminari Alkitab Asia Tenggara, or SAAT), in Malang, Java, Indonesia, I have had the privilege of participating in the start of a new semester in an institution new to mBlog 2be. In this post, I will briefly reflect on the good beginnings to the spring 2018 semester I have encountered already at SAAT (pronounced as a single word with two syllables, by the way: Sah-aht). In particular, I want to share my initial impressions of what kind of institution SAAT is based on my experience of the seminary’s three (yes, three!) convocation ceremonies which were attended by all students, staff, and faculty on the Friday and Saturday before classes began.

While I do not presume to know very much yet about this community, these three ceremonies have convinced me that SAAT is intentional about beginning well and about crafting their beginnings to communicate their institutional identity. To me, the following five characteristics of SAAT were clearly evident through their convocation ceremonies.

  1. SAAT is an institution grounded in Christian worship and in the Bible. Not only does SAAT begin the semester with three convocations, but these three convocations are in fact services of Christian worship filled with biblical proclamation and teaching. SAAT begins well by beginning with the worship of God and the Word of God: in songs, in prayers, in Scripture reading, in preaching. The seminary clearly communicates its identity as a worshiping community that proclaims biblical teaching.
  1. SAAT is an institution that connects worship and Bible study with academic study. As a seminary, it is natural that SAAT focuses on worship and Bible study. But SAAT also connects such worship and Bible study with academic practices and disciplines. This was particularly evident in the sermons, each by a different member of the faculty, each very different in style, and each clearly reflecting the academic discipline of the person speaking. In addition, at several points in the convocations, those leading specifically linked points of worship or biblical teaching with the work the students, staff, and faculty are preparing to take up in the new academic semester.
  1. SAAT is an institution that receives the gifts of its campus community. SAAT’s convocations featured a large number of students, staff, and faculty fulfilling many different roles, from preaching to leading music to praying to translating to operating audio-visual equipment to reading Scripture. The convocation ceremonies grew out of this particular community and the gifts it holds in the persons who make up the community.
  1. SAAT is an institution that values each member of the community. Such receiving of the community’s gifts is one way SAAT communicates how it values each member of the community: each person is gifted, and each is encouraged to share those gifts. Another tangible way the seminary communicates that it values each person is that each ceremony is presented in both Indonesian and Mandarin. All PowerPoint slides are in both languages, and all spoken word is offered in both Indonesian and Mandarin. The dual language of the ceremonies welcomes the two student populations at the seminary: the majority of the students are Indonesian, but the seminary also offers a track in Mandarin for students from China.
  1. SAAT is an institution that sends its students out for service to the church and the world. SAAT is a tight-knit community, with most of its students and many of its faculty living on campus. In many ways, SAAT calls its students to a secluded place so they can focus on their studies and on their Christian commitments. As a seminary, SAAT is primarily focused on training pastors for churches in Indonesia and China. Through its programs in theology, music, and counseling, it similarly seeks to train students for other roles in Christian ministry. And then it sends them out, first to year-long internships and then to a life of Christian ministry. And it sends them out with encouragement, prayer, and blessing: in the first convocation, the students departing for their internships were called to stage and prayed over by individual faculty members and by the whole community.

Blog 2aAfter being here just a few days, I can attest that SAAT begins its semesters well. And by intentionally beginning well, SAAT reminds itself what kind of institution it has been and wants to be.

As I reflected on SAAT’s beginnings this semester, the words of Trinity Christian College’s founders come to my mind, words proclaimed in 1956 as they dreamed about the college that would be Trinity: “If we begin with Christ and continue with Christ, we have the assurance that we will be blessed” (https://www.trnty.edu/about-us/history-of-the-college/). May we likewise begin well, and begin with Christ, in each task we undertake.

Mark Peters

From Palos Heights to Malang

Indonesia - SAAT Institute

In late-May 2016, I was invited to speak at a choral festival at Southeast Asia Bible Seminary (Seminari Alkitab Asia Tenggara, or SAAT), in Malang, Java, Indonesia. SAAT is a Christian seminary in the Reformed tradition that was founded in Bandung, Java, in 1952 and moved to Malang in 1954. The seminary has a long tradition of educating leaders for service to Christian churches in Indonesia, China, and beyond. In addition to their Master of Divinity program, SAAT offers bachelor’s degrees in theology, including one with a focus on church music.

SAAT in the Spring
SAAT campus in the spring

My particular connection to SAAT comes through my colleague, Yudha Thianto (professor of theology at Trinity), who attended SAAT and is well connected with its administration and faculty. It was his dreaming that got me to SAAT in 2016 and began the whole process of spending my spring 2018 semester here with my family.

I am joining SAAT’s faculty for the semester as visiting professor in the undergraduate church music program. I will teach two music history survey courses, one on Medieval and Renaissance music and another on music in the nineteenth and twentieth centuries. I will also direct two choirs: the seminary choir, an 80-voice choir of students in the theology and music programs; and the Vocatus ensemble, a chamber ensemble of about 20 singers from the music program. I will also participate in the life of the department by attending chapels (four days a week) and the music department’s studio classes (every Tuesday).

At Trinity, we strongly encourage our students to consider enrolling in an off-campus program during theMark Peters in Indonesiair undergraduate years, including both Trinity’s Chicago Semester and our many opportunities for studying internationally. I’m very excited that I, as a professor, now have this opportunity, and I know I will learn much more than I teach this semester! In this blog, my goal is to communicate some of what I learn during this semester of cross-cultural learning and teaching.

More to come soon. In the meantime, you can learn more about SAAT here: https://seabs.ac.id/en/.